Ohr-O’Keefe Museum of Art 386 Beach Blvd., Biloxi, MS 39530

Open to the public

10am-5pm, Tuesday – Saturday
1pm-5pm, Sunday
Last admission to the museum is 4:15 pm.

Show Dates

July 13th, 2024 - Soft Opening
August 15th, 2024 - Reception
December 14th, 2024 - Closing 5pm-8pm

For the closing Helen Gillet will be performing in the gallery with Pippin’s work!

Shifting Lands explores the intersections of built environments and nature on the Gulf Coast.

Shifting  LANDS  

Shifting Lands is my baseline, a visual collection of moments from Biloxi, New Orleans, Lafayette, and Chauvin. These mixed media paintings and sculptures are a celebration of the spaces that I keep returning to, and the knowledge I have gained through working with biologists.

This exhibition is a visual art series by Frisbie-Calder that examines the ecosystems of the Gulf South, particularly Louisiana and Mississippi. Frisbie-Calder first photographs formations of leaves, migratory birds, and other flora. Using the photographs as a reference she draws the species, then uses a variety of printmaking techniques to create a “library” of printed images. She pulls from this library to collage together hundreds of pieces of an ecosystem, which are assembled in a quilt-like fashion. This method allows Frisbie-Calder to reimagine southern ecosystems in a playful and expressive form.

The series explores the concept of shifting baselines, which is the change in our understanding and expectations of the natural world over time. Each successive generation that becomes accustomed to environmental degradation and the decreased abundance of wildlife is less aware of the magnitude of what has been lost. We acclimate to absence. We don’t know what we are missing. By combining native and introduced species, Shifting Lands reflects on the compromised yet still beautiful natural environment of the Gulf South, and raises questions about the future of these eroding landscapes.

Frisbie-Calder often collaborates with biologists, combining years of their research with her own experiences. The integration of biology with art results in species specific visuals that help demystify scientific information. Many of her collaborators are listed in the acknowledgements.